Warren House, Chico California, USA

Client:  The HR Group of Architects & Modern Building.

Project The Warren House, Chico, California

A nice daytime view but lacks the dramatics, good use of having the trees frame the shot.

The money shots, arrive early the next morning 4:45 am to turn on all of the interior lights and wait until that magic moment “Dawn”.  This being an historical renovation the upstairs was designed with guests to stay in bedrooms overnight. My problem no lighting on the entire second floor, the solution was to add supplemental lighting to the entire second floor to match what was done on the first floor. Lucky,  I bring the lightning to be able to create the vision, I want in the final photographs.

The money shot, trees framing the shot back enough to capture the roof and all of the landscaping.  This was only possible by lighting the entire second floor.

Move in closer and show the relationship to the brick pavers and how much this allows for group activities.

Without the supplemental on the second floor all of the second floor would dead and out of balance.

The front exterior heavy with trees and block most of the views, shoot at dusk to eliminate any shadows from the trees and then move quickly to the interiors.

This was shot in early afternoon to giver the viewer a bright outside and have the feeling of daylight.

Shooting at dusk always adds dramatics and having that little bit of blue light out the windows gives and nice contrast to the interiors.

Excellent shot, it would have been ideal to have a fire in the fireplace but that was not possible. In photoshop we could always drop in a fire.

Taking advantage of the use of daylight and to capture a different mood for the first shots.

This is basically the same shot only at dusk when the outside light levels are dropping. I always like the blue light out the windows which contrasts the interior colors.

This is a real cool shot, supplemental lighting and careful composition makes this work.

I hope you enjoyed the Warren House

Ed Asmus

Architectural People Photographer

http://www.edasmusphotography.com

 

The Delta a Glimpse back in time.

At one time in my life I lived in this small community in Clarksburg on an 80 acre ranch with a pear farmers daughter, Debbie. As I look back on my time spent there, the town of Clarksburg still reminds me of Mayberry, everything has stood still for years but this little sleepy community is only 20 minutes from Sacramento. It still amazes me that in order for to go to bed, you have to get use to frogs croaking,  coyotes howwling a far cry from the city noises, helicopters, sirens, traffic. Most of all I miss the connection with the landscapes, it was in my backyard something I took for granted, now removed it hard to make time to go down there and continue this work, have to put this back on my list.

One of my favorite landscape photo, “Clearing Winter Storm at Stone Lakes Wildlife Refuge.

Originally shot with my 8×10 view camera. Clearing winter storm at the Pilemans Ranch in Clarksburg, California. Today this view does not exist anymore there are grapes there now.

Bud’s Lock and Saw, Courtland, California.  One of my first portraits with my 8×10 camera.

Elk Slough in Clarksburg a view from my backyard.

Plowed field in the fog, Clarksburg, California.

Marge and Les Herringer, last eight rows of corn, Clarksburg, California.

Lonely tree at Stone Lakes Wildlife Refuge.

Melon Harvest at the Herringer Ranches, Clarksburg, California.

Gary Merwins old tractor, Clarksburg, California.

Stone Lakes Wildlife Refuge.

Cows in the Fog, Stone Lakes Wildlife Refuge.

Catfishing Lambert Road. This was the first photo taken with my 8×10 camera.

Pear Harvest at Stillwater Ranches, Hood, California.

Boat  Docks in Hood, California.The Old Sugar Mill,Clarksburg, California.

One of my favorites “The Last Eight Rows of Corn”. My friend Duke Herringer, his family has farmed in Clarksburg for years and he told me do you know harvesters cut eight rows of corn at each pass. We put our heads together and came up with an idea to leave me eight rows of corn in a field, a “Delta Classic”.

 

 

I hope you enjoyed looking back in time.

 

Ed Asmus

Ed Asmus Photography

http://www.edasmusphotography.com

 

 

 

 

 

 

 

 

 

Residential Model Homes

Project: The Retreat, Rancho Murieta, California

Requirements for Photography: Usually when I shoot models homes, I always cover myself for any Builder awards programs.  Generally those requirements are front exterior, living, kitchen, master bedroom and two choice shots. I shoot more than what is required and always try to give my clients a great selection to work from.

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Exteriors are always challenging and having mother be there when your ready to shoot is like winning the lottery. Supplemental lighting was added on the interiors, shooting from a 12′ ladder to be able to shoot over the fence.  You can only set up and do one exterior when the light is right. I just like the light at dusk and being able to have some clouds reflecting the sunset just makes this shot.

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The same approach as the shot above, but with no clouds to reflect the sun over the top of the model. Still a nice shot but preference is to have the clouds for the dramatics. I am just waiting for mother nature to give some some clouds to finish up the exteriors.

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Shooting in the daytime does give you a clean crisp look. This works for me now, shooting in the dead of winter is always harder. I will revisit this in springtime when the tree just starts to bloom, which will make a huge difference as long as the tree is not in full bloom.

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Re visiting this in springtime, the trees will have some color, not a full canopy but enough color to help set a colorful mood which will help add life to this shot.

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When your project is on a golf course, we need to be able to show both the golf course and the interiors off under the best light. Supplemental lighting shooting late afternoon gives me the feel what I am looking for in the final illustrations.  Drop a photo in the tv and I am good to go.

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Good use of daylight with supplemental lighting gives the viewer an idea, that this would be a great place to live. I do like the late afternoon shadows on the golf course.

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I really did not see this shot, but I looked back nice foreground colors, shows off the entire space very well and add that pop of blue light out the window and it’s a no brainer shoot it now!

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It’s always nice to pull back and try to include some of the other room.

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A good shot nice reflections on the counter.

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Master Bedroom and we need to be able to show the outside golf course and well as the interiors.  Many multiple nights to get what I want to deliver to the client as finals.

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A second bedroom, I always try to add some dramatics to a shot, here we placed a light under the palm tree to cast some shadows on the ceiling.  Shooting at dusk has allowed me to use the daylight outside and get a nice blue color of light, which helps.

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Sometimes we do have not have complete control and our hands get tied, in this case no fire in the fireplace. Go back and look into my library of fires and add it in photoshop. In this area there are lots of people who ride horses and let’s just drop an images of horses  into the tv.

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I always like to start with a nice 3/4 view, add supplemental lighting, level the camera and shoot.

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A nice clean shot add supplemental lighting, add some lighting under the tree on the right side and make sure  you catch the blue light on the counter, looks good.

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Let’s move camera position slightly to the left, push a strong diagonal lined show off the relationship to the golf course.

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Secondary shots which it is nice to shoot when the outside light values are dropping, which adds color and contrast.

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Just the exact amount of daylight out the windows on the right side, timing is everything.

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A nice long shot which shows for the volume of the space

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Everything looks good but the wrong picture on the tv, either golf or horses works.

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All of the dining rooms need to be included in out shot list, for possible competitions.

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A fun upstairs game room, add supplemental lighting, add up lighting under the palm tree and add an image to the tv,  good to go.

Kerrie Miller

Thank you Ed Asmus for a fabulous job shooting these beautiful homes at The Retreats at Rancho Murieta! Great work!

 

I hope you enjoyed seeing my vision into model homes.

Ed Asmus

Architectural People Photographer

http://www.edasmusphotography.com

 

 

 

 

 

 

Changing my Artistic Vision

I have been a longtime architectural photographer 30 years plus who captures the moments in time for my clients.  I am now pushing the envelope on my artistic vision and creativity.

 

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Before Shot

This was shot at 350 second with nice clouds and reflections in the glazing. Ok shot, water and clouds are frozen.

 

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After Shot

Same clouds, taken 30 seconds after the previous shot. This was done by keeping the lens open for eight minutes. I can now play with movement of the clouds and water as design elements, which opens up my expression of my artistic vision. This pushes me into a surreal different direction, which will only get better.

 

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I still love classic black and white photography, just a certain richness you get in black and white. This is sure a lot different then the first image. You might have a special project that would look great captured under this kind of light let me know.

Hope you enjoyed this new direction of my Artistic Vision.

Ed Asmus

http://www.edasmusphotography.com

Corporate headshot on location or in the studio

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Ever now again I get a call to shoot a photo at the State Capitol. From this shoot one of the persons needed a new headshot, I got their contact information and followed up.

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If there is a budget for a make up artist then I strongly recommend hiring these great artists, most of the time I just do not get a budget for a make up artist. Having great make-up and a second set of eyes are always an added bonus.

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Here is a straight shot with no re touching.  Skin can be smoothed, wrinkles under the eyes and neck need be softened and the right eye is smaller than the left eye, Photoshop”.
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Skin smoothing around the face, neck leaving the eyes, lips and eyebrows sharp, looks pretty good. The only thing I forgot was to adjust the right eye.

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Let’s change outfits and shoot more images. Here is a final with all of the retouching and adjusting her right eye, pretty cool.

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Here is what I really like, simple lighting, background light, hair light and one main light. What is pretty cool is my umbrella it can focus the light from soft to hard which works great for a different look on men and women.screen-shot-2017-02-01-at-1-30-58-pm

Broncolor has been a leading leader of  camera and lighting control, simply the best, expensive but very happy with the results.

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Shot on location, no make up artist, only my make up kit and using the one light the Para 88. With this new system I am able to dial down my power and be able to throw the background out of focus, which just draws your attention to the person.

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Just really like the catch light I get in their eyes now.

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Simple and clean a lot of stuff to bring to a shoot but the results are worth it. This system is made by Broncolor in Switzerland, the umbrella is used by many fashion photographers in todays market place.

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Being able to shoot wide open, having a high quality lighting system makes my job easier. She did her own make up and I like how she is posed nice to include her wedding ring.

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Just to have a little fun in one of my portrait  programs, I changed the colors of her eye shadow, pretty cool what tools we have as photographers at our finger tips.

“Ed Asmus is an amazing professional at the top of his game. His photos were beyond expectation. He has a wonderful way of putting people at ease. His eye is great; he knows what will make a good picture and is capable of creating the right setting. Working with him, was a true pleasure.”

Donna Allred
Sacramento County Clerk/Recorder

I hope you enjoyed looking at a different way to shoot corporate head shots

Ed Asmus

Architectural People Photographer

http://www.edasmusphotography.com

Personal work with new Grunge make up kit.

I was invited to Daniel’s ranch for a barbecue and a music festival. I always like to do personnel work.  I ordered my make up from LA, awesome addition to my regular make-up. I always try to leave the house with my camera._E9O5264.topaz I just was walking by and saw Julie’s dirty feet and my mind started to wonder, this might be my first grunge candidate for a photo. I asked Julie if she would like to be in my grunge photo and she said yes._E9O5293.TopazPretty fun day, fill flash off camera, add the make-up, “don’t touch those feet”.


_E9O9735-smart-copy My next adventure was done in the Delta on Ryer Island at a friends ranch, Alberto._E9O9819-smart-copy Looks like it was taken out on the plains in the 30’s._E9O9826I just love the cross lighting from the natural light, add some supplemental lighting to fill in the shadows and I have a winner.

_E9O9972-smart-copyVolunteers for my next shoot.

Los Banos, Courthouse

Client: Williams Paddon Architects & Swinerton Builders

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All of my work,I generally shoot pre production scouting shots to tie down the scope of work, address any problems prior to the photo shoot and it allows for multiple clients to have an idea what the finals may look like.

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With a good compass reading, I knew to arrive early afternoon and shoot the south exteriors from 2:00 to 4:00. My plan was that there is lots of dirt around the courthouse on south side of the building that will look bad, unless I budget for a water truck to make the dirt go away.


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Here is a final image with the water truck wetting down the dirt.

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A nice partial view, coordinate the blinds an an easy shot to get.

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A nice partial view, again the water truck helped tone down the dirt.

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A required shot for a competition, nice to have the moon there.

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As I move into the interiors in the daytime, lots of contrast from the dark wood to the light fixtures. With digital today this was shot by combining five shots and running them thru an HDR program. Just the right amount detail in the wood and light fixtures.

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A three quarter view, simple and clean.

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Again five bracketed shots and ran thru an HDR program.

_q8a7011Murphy’s Law, everything was scheduled thru the contractor, access, blinds, irrigation everything depends on my money shots at dusk on the interiors, everything was planned around that. This is a test view but needs the outside light values to drop at dusk.  At 6:00 pm, I was told that I do not have access from the head person from the courts. Now I have to re group, which is OK, “I am the Postman, I always deliver!” Grab dinner and a hotel and be back at 6:00 am the next morning.

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Water truck back on side, set the flags, open all the interior blinds, get all of the interior and exterior lights on. I decided to use a long perspective control lens to flatten out the building and give the viewer a normal perspective. Don’t forget I still have to grab my money shots on the interiors.

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Lots to do, arrive at 6:00 am, the only thing the contractor forgot was to turn off the irrigation, a mad dash to get that done, lots of retouching on the water, lucky for photoshop.

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Switch to a wider lens to get a little different perspective.

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A very dramatic angle this was my first shot of the morning.

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Now it’s time to get inside and shoot before the outside light get’s to bright.

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Need to show the volume and hold the detail in the light fixtures.

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Shot under quiet light, just as the sun is rising.

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The day before none of this furniture was set up, get the furniture plan and delegate this, worked out just fine.

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Back outside at sunrise to capture the morning light, very dramatic!

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A partial view which let’s the viewer see the architectural design elements.

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Excellent use of morning light, this view shows off this elevation real well.

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We also had our drone there, still working on the footage of this.

Hope you enjoyed,

Ed Asmus

Architectural People Photographer

http://www.edasmusphotography.com

Broncolor Para 88

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Here is a new light modifier that I love the “Broncolor Para 88”. Being a Broncolor longtime user, they are simply the best, it like buying a Rolex watch, very expensive but worth the money in the long run. This is a unique light modifier, mainly used in high end fashion work. The Para 88 can bee defocused for soft light and will illuminate large sets very uniformly from a relative short distance.  The inwardly directed light reduces the scattered sideways light decisively. The result is that, even in small spaces, one can achieve contrast control that is very difficult with other lights.

_Q8A1956A simple lighting set up, no make up and no re touching. Great color and contrast. This was shot 3/4 out for soft focus, looks great. If this was re shot, I would fine tune my adjustments with the Para 88 adjusted it all the way out for soft focus and add diffusion. Women are always best shot under softer lighting._Q8A1913No adjustments in color, no boost in saturation, only some minor retouching and skin smoothing. This light modifier has a place in the studio or location.  If your a man maybe harder light for the texture and if a women the softer the better. Strongly directional, rich in contrast and in general, an easy light to modify to fit any situation.  If you need a new corporate photo or an up dated photo for social media call me.

Ed Asmus 916.996.7560

Re Visiting Paragarys Courtyard

PARAGARYS.COURTYARDA timeless photo that has lasted many years. A gifted Landscape Architect David Yakish which has since passed away originally designed this space. I was hired to photograph this space. Upon my original walk thru the space lacked dramatic lighting. I installed lighting behind the metal panels, which backlighted the panels and the water elements, which set a romantic mood to the place.  We came in the night before ran power cords, pre lighted the space and blew many circuit breakers getting this all set up. The next morning at pre sunrise we turned on our lights and had our supplemental lighting in place to make this place come alive.  We left all of our lighting in place until we had final film. When I looked at the film, we killed it. I met Randy Paragary later that evening and he said, “Doesn’t  this look Great” and I said, it is missing lighting, which will add a romantic setting. I said let’s have a glass of wine, let it get darker and I will turn on my lighting, so you can see how this space should look. It was at that magic moment and I turned on my lights, Randy said, WOW, can you leave your lighting for a couple of days so my electricians can match your lighting. This one job, I look back on that I am proud of my creative ability to make this a signature shot for many years.

 

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We fast forward and the restaurant was closed for about year while a major remodel was being done.  It’s time to revisit this space,  give them an updated timeless illustration. As always my work takes a pre production to make it happen, and make recommendations for the best illustration. Move the tables and just fine tune the final compositions.

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I arrived at 5:30 am to start the shoot. A pump was broken on one of the fountains, which had to be replaced, none of the tables were set, no candles, no wine glasses and no matches to light the fire in the fireplace. We tried to set this up and in the end it was best to canal and re schedule.

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Here is our second attempt and again we had to cancel  the fountain on the left the back lighting of the metal panel, the bulb was burned out, cancel re schedule.

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Third time is a charm, here one of our finals, a bracketed fives shots ran thru HDR and modified our final in photoshop.